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Best Poems From
JOHN HENRY DRYDEN
(1631 - 1700)
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37.
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To my Honor'd Friend, Dr. Charleton (excerpt)
The longest tyranny that ever sway'd
Was that wherein our ancestors betray'd
Their free-born reason to the Stagirite,
And made his torch their universal light.
So truth, while only one supplied the state,
Grew scarce, and dear, and yet sophisticate;
Until 't was bought, like emp'ric wares, or charms,
Hard words seal'd up with Aristotle's arms.
Columbus was the first that shook his throne,
And found a temp'rate in a torrid zone:
The fev'rish air fann'd by a cooling breeze,
The fruitful vales set round with shady trees;
And guiltless men, who danc'd away their time,
Fresh as their groves, and happy as their clime.
Had we still paid that homage to a name,
Which only God and Nature justly claim,
The western seas had been our utmost bound,
Where poets still might dream the sun was drown'd:
And all the stars that shine in southern skies
Had been admir'd by none but savage eyes.
Among th' asserters of free reason's claim,
Th' English are not the least in worth, or fame.
The world to Bacon does not only owe
Its present knowledge, but its future too.
Gilbert shall live, till loadstones cease to draw,
Or British fleets the boundless ocean awe.
And noble Boyle, not less in nature seen,
Than his great brother read in states and men.
The circling streams, once thought but pools, of blood
(Whether life's fuel or the body's food),
From dark oblivion Harvey's name shall save;
While Ent keeps all the honour that he gave.
...
John Henry Dryden
Read more: nature poems, brother poems, food poems, future poems, ocean poems, truth poems, happy poems, dream poems, friend poems, dark poems, sun poems, light poems, god poems, world poems, tree poems, sky poems, star poems
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38.
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To Sir Godfrey Kneller, Principal Painter to His Majesty
Once I beheld the fairest of her kind,
And still the sweet idea charms my mind:
True, she was dumb; for nature gazed so long,
Pleased with her work, that she forgot her tongue;
But, smiling, saidShe still shall gain the prize;
I only have transferred it to her eyes.
Such are thy pictures, Kneller, such thy skill,
That nature seems obedient to thy will;
Comes out, and meets thy pencil in the draught,
Lives there, and wants but words to speak her thought.
At least thy pictures look a voice; and we
Imagine sounds, deceived to that degree,
We think 'tis somewhat more than just to see.
Shadows are but privations of the light;
Yet, when we walk, they shoot before the sight;
With us approach, retire, arise, and fall;
Nothing themselves, and yet expressing all.
Such are thy pieces, imitating life
So near, they almost conquer'd in the strife;
And from their animated canvas came,
Demanding souls, and loosened from the frame.
Prometheus, were he here, would cast away
His Adam, and refuse a soul to clay;
And either would thy noble work inspire,
Or think it warm enough, without his fire.
But vulgar hands may vulgar likeness raise;
This is the least attendant on thy praise:
From hence the rudiments of art began;
A coal, or chalk, first imitated man:
Perhaps the shadow, taken on a wall,
Gave outlines to the rude original;
Ere canvas yet was strained, before the grace
Of blended colours found their use and place,
Or cypress tablets first received a face.
By slow degrees the godlike art advanced;
As man grew polished, picture was enhanced:
Greece added posture, shade, and perspective,
And then the mimic piece began to live.
Yet perspective was lame, no distance true,
But all came forward in one common view:
No point of light was known, no bounds of art;
When light was there, it knew not to depart,
But glaring on remoter objects played;
Not languished and insensibly decayed.
Rome raised not art, but barely kept alive,
And with old Greece unequally did strive;
Till Goths and Vandals, a rude northern race,
Did all the matchless monuments deface.
Then all the Muses in one ruin lie,
And rhyme began to enervate poetry.
Thus, in a stupid military state,
The pen and pencil find an equal fate.
Flat faces, such as would disgrace a screen,
Such as in Bantam's embassy were seen,
Unraised, unrounded, were the rude delight
Of brutal nations, only born to fight.
Long time the sister arts, in iron sleep,
A heavy Sabbath did supinely keep;
At length, in Raphael's age, at once they rise,
Stretch all their limbs, and open all their eyes.
Thence rose the Roman, and the Lombard line;
One coloured best, and one did best design.
Raphael's, like Homer's, was the nobler part,
But Titian's painting looked like Virgil's art.
Thy genius gives thee both; where true design,
Postures unforced, and lively colours join,
Likeness is ever there; but still the best,
(Like proper thoughts in lofty language drest,)
Where light, to shades descending, plays, not strives,
Dies by degrees, and by degrees revives.
Of various parts a perfect whole is wrought;
Thy pictures think, and we divine their thought.
Shakespeare, thy gift, I place before my sight;
With awe, I ask his blessing ere I write;
With reverence look on his majestic face;
Proud to be less, but of his godlike race.
His soul inspires me, while thy praise I write,
And I, like Teucer, under Ajax fight;
Bids thee, through me, be bold; with dauntless breast
Contemn the bad, and emulate the best.
Like his, thy critics in the attempt are lost;
When most they rail, know then, they envy most.
In vain they snarl aloof; a noisy crowd,
Like women's anger, impotent and loud.
While they their barren industry deplore,
Pass on secure, and mind the goal before,
Old as she is, my muse shall march behind,
Bear off the blast, and intercept the wind.
Our arts are sisters, though not twins in birth,
For hymns were sung in Eden's happy earth:
For oh, the painter muse, though last in place,
Has seized the blessing first, like Jacob's race.
Apelles' art an Alexander found,
And Raphael did with Leo's gold abound;
But Homer was with barren laurel crowned.
Thou hadst thy Charles a while, and so had I;
But pass we that unpleasing image by.
Rich in thyself, and of thyself divine,
All pilgrims come and offer at thy shrine.
A graceful truth thy pencil can command;
The fair themselves go mended from thy hand.
Likeness appears in every lineament,
But likeness in thy work is eloquent.
Though nature there her true resemblance bears,
A nobler beauty in thy piece appears.
So warm thy work, so glows the generous frame,
Flesh looks less living in the lovely dame.
Thou paint'st as we describe, improving still,
When on wild nature we engraft our skill,
Yet not creating beauties at our will.
But poets are confined to narrower space,
To speak the language of their native place;
The painter widely stretches his command,
Thy pencil speaks the tongue of every land.
From hence, my friend, all climates are your own,
Nor can you forfeit, for you hold of none.
All nations all immunities will give
To make you theirs, where'er you please to live;
And not seven cities, but the world, would strive.
Sure some propitious planet then did smile,
When first you were conducted to this isle;
Our genius brought you here, to enlarge our fame,
For your good stars are everywhere the same.
Thy matchless hand, of every region free,
Adopts our climate, not our climate thee.
Great Rome and Venice early did impart
To thee the examples of their wondrous art.
Those masters, then but seen, not understood,
With generous emulation fired thy blood;
For what in nature's dawn the child admired,
The youth endeavoured, and the man acquired.
If yet thou hast not reached their high degree,
'Tis only wanting to this age, not thee.
Thy genius, bounded by the times, like mine,
Drudges on petty draughts, nor dare design
A more exalted work, and more divine.
For what a song, or senseless opera,
Is to the living labour of a play;
Or what a play to Virgil's work would be,
Such is a single piece to history.
But we, who life bestow, ourselves must live;
Kings cannot reign, unless their subjects give;
And they, who pay the taxes, bear the rule:
Thus thou, sometimes, art forced to draw a fool;
But so his follies in thy posture sink,
The senseless idiot seems at last to think.
Good heaven! that sots and knaves should be so vain,
To wish their vile resemblance may remain,
And stand recorded, at their own request,
To future days, a libel or a jest!
Else should we see your noble pencil trace
Our unities of action, time, and place;
A whole composed of parts, and those the best,
With every various character exprest;
Heroes at large, and at a nearer view;
Less, and at distance, an ignoble crew;
While all the figures in one action join,
As tending to complete the main design.
More cannot be by mortal art exprest,
But venerable age shall add the rest:
For time shall with his ready pencil stand,
Retouch your figures with his ripening hand,
Mellow your colours, and imbrown the teint,
Add every grace, which time alone can grant;
To future ages shall your fame convey,
And give more beauties than he takes away.
John Henry Dryden
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39.
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Verses to Her Royal Highness the Duchess, on the Memorable Victory Gained by the Duke Against the Hollanders, June 3rd, 1665
Madam,
When, for our sakes, your hero you resigned
To swelling seas, and every faithless wind;
When you released his courage, and set free
A valour fatal to the enemy;
You lodged your country's cares within your breast,
(The mansion where soft love should only rest,)
And, ere our foes abroad were overcome,
The noblest conquest you had gained at home.
Ah, what concerns did both your souls divide!
Your honour gave us what your love denied;
And 'twas for him much easier to subdue
Those foes he fought with, than to part from you.
That glorious day, which two such navies saw,
As each unmatched might to the world give law,
Neptune, yet doubtful whom he should obey,
Held to them both the trident of the sea:
The winds were hushed, the waves in ranks were cast,
As awfully as when God's people past:
Those, yet uncertain on whose sails to blow,
These, where the wealth of nations ought to flow.
Then with the Duke your Highness ruled the day:
While all the brave did his command obey,
The fair and pious under you did pray.
How powerful are chaste vows! the wind and tide
You bribed to combat on the English side.
Thus to your much-loved lord you did convey
An unknown succour, sent the nearest way.
New vigour to his wearied arms you brought,
(So Moses was upheld while Israel fought)
While, from afar, we heard the cannon play,
Like distant thunder on a shiny day.
For absent friends we were ashamed to fear,
When we considered what you ventured there.
Ships, men, and arms, our country might restore,
But such a leader could supply no more.
With generous thoughts of conquest he did burn,
Yet fought not more to vanquish than return.
Fortune and victory he did pursue,
To bring them, as his slaves, to wait on you:
Thus beauty ravished the rewards of fame,
And the fair triumphed, when the brave o'ercame.
Then, as you meant to spread another way
By land your conquests, far as his by sea,
Leaving our southern clime, you marched along
The stubborn north ten thousand Cupids strong.
Like commons the nobility resort,
In crowding heaps, to fill your moving court:
To welcome your approach the vulgar run,
Like some new envoy from the distant sun;
And country beauties by their lovers go,
Blessing themselves, and wondering at the show.
So, when the new-born Phnix first is seen,
Her feathered subjects all adore their queen,
And, while she makes her progress through the east,
From every grove her numerous train's increased:
Each poet of the air her glory sings,
And round him the pleased audience clap their wings.
John Henry Dryden
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40.
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Your hay it is mow'd, and your corn is reap'd
(Comus.) Your hay it is mow'd, and your corn is reap'd;
Your barns will be full, and your hovels heap'd:
Come, my boys, come;
Come, my boys, come;
And merrily roar out Harvest Home.
(Chorus.) Come, my boys, come;
Come, my boys, come;
And merrily roar out Harvest Home.
(Man.) We ha' cheated the parson, we'll cheat him agen,
For why should a blockhead ha' one in ten?
One in ten,
One in ten,
For why should a blockhead ha' one in ten?
For prating so long like a book-learn'd sot,
Till pudding and dumplin burn to pot,
Burn to pot,
Burn to pot,
Till pudding and dumplin burn to pot.
(Chorus.)Burn to pot,
Burn to pot,
Till pudding and dumplin burn to pot.
We'll toss off our ale till we canno' stand,
And Hoigh for the honour of Old England:
Old England,
Old England,
And Hoigh for the honour of Old England.
(Chorus.) Old England,
Old England,
And Hoigh for the honour of Old England.
John Henry Dryden
Read more: home poems
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